here's a recording of big ol' lecture I wrote & delivered for BMOLab and Vector Institute last month, entitled "Language Models and Poetics," in which I claim that computers not only *can* generate poetry, but in fact they can *only* generate poetry.

the discussion touches on GPT-n (of course), speech act theory, William Carlos Williams' _Spring and All_, Frank Lantz (twice), and more 🎶

(the audio didn't come out great, happy to supply text/slides to interested folks)

@aparrish just watched this and it's great! am wondering if there's a distinction between speech acts generated by a statistical model, and those that arise from something more simulation-based. is it really empty and void when dwarf fortress tells me my dwarf has died? that's a fact about the (a?) world, not a mere citation

@mewo2 there is a really great chapter (chapter 3) about this very thing in James Ryan's PhD dissertation, which even references speech act theory, and I have no idea why I didn't think to discuss it in the talk! I'm not sure how to answer. On the one hand, it's a question about fiction/nonfiction & simulated events, but on the other it's a more basic question of artifacts that relay information, like—is it empty and void when my car's speedometer shows me how fast I'm going?


@mewo2 (the extreme version of my argument would claim that the speedometer doesn't state anything, that in fact the car's manufacturer etc. does the stating, and there's truth to that, bc if the speedometer is wrong, it's not the car's "fault." following this to its logical conclusion, the output of language models *isn't* hollow & void, but counts as a sort of speech act on the part of those that created it, i.e. "the following is a sequence of tokens that have certain statistical properties")

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