the NYer profile of the publishing grifter (Dan Mallory) upset me the same way the Fyre fest docs did. Media/art/publishing institutions hand opportunities to people like that. Gatekeepers have been trained to eat up that kind of toxic charisma, while actual talent — modestly packaged — has very little chance of going anywhere.

@jomc some big-check-writer somewhere is definitely reading it going "this would make a great TV series"

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