o, what a pitiful shame that we are stuck with Javascript as the lingua franca of the web, all of its many dangerous warts and pitfalls an indelible stain on the platform

now to take a big sip of coffee as I ponder the timeless beauty of the Unix way, with its elegant lingua franca, shell scripts

Please apply for Generative Unfoldings commissions, up to 15 of $1000 will be awarded for free/open-source generative art, to run live in an in-browser exhibition

Deadline for sketches/prototypes: November 1

I'm delighted to be curating this exhibit and on the jury with 4 amazing artists

https://arts.mit.edu/cast/symposia/generative-unfoldings-call/

11
that mentioned octave bassline.

I don't know if I should be self critical in these comments but two things:
- I should have cut off the intro / outro, but the main bit doesn't stand on its own
- this melody line sounds so familiar to me, I feel like I write it repeatedly.

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Been a while since I did a classic chiptune omp-pah octave bassline

The ghost of Colonel sanders cursed the hanshin tigers (this isn't blaseball, just normal baseball curses) en.wikipedia.org/wiki/Curse_of

Glad that we don't have "x is typing" feature on masto

Bad idea of the day: SlowMUD -- a kind of exquisite corpse game where a blank journal is mailed in a round robin fashion to members of a roleplaying group and each writes an action into the journal in character before mailing it along

8 umnnn
Another koala slop - I wish there was a way to make bigger songs with koala, and animate the params etc. Ah well.

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dang, a lot of anagrams of are good potential looptober prompts!

top bolero
loot probe
rote bloop
robot lope
bop retool
lo, orb poet
bro lop toe

one of the things that I like about 26 basslines is that at the beginning of the track it has a synthesized voice that reminds you of the artist and album that you are listening to:
youtube.com/watch?v=_sFlUYz9DP

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